ELISA SOLIVENTotems and Views
March 16 - April 15, 2019
Opening Reception: Saturday, March 16, 6-9PM
Essex Flowers is pleased to present, Totems and Views, a solo exhibition by Elisa Soliven.
In Totems and Views, Soliven builds upon previous themes and methods of working with an installation of new works created for Essex Flowers. Over the last several years, Soliven has steadily produced a body of sculptural, ceramic work she refers to as “vessels.” To make her vessels, she developed a singular hand-building process. Each vessel is built around a gridded clay scaffolding, a support system that is practical as well as aesthetic, since it creates the vessel’s characteristic angular, modular forms. Within the gridded framework of the vessel is another element that determines its shape: irregular pieces of fired ceramics of various color, shape and size are interspersed within the grid. Clay is then intuitively layered around the grid and recycled ceramic, eventually accumulating into its final form. Soliven’s process is both subtractive, similar to an archaeologist, excavating around “fossils”, and additive as an architect, building out from an infrastructure. The archaeological reference is furthered by the surface textures of her work, as if she were preserving a frozen history of gestural mark-making. For Totems and Views, Soliven continues her singular vessel form, but amplifies their presence and figurative qualities by stacking them into a shape that proposes at once a totem, a standing body, and an exquisite corpse. More than a process, her method becomes ritualistic for making a talisman out of the ordinary.
These totems are paired with a new series of modular wall pieces titled Window Fruit. The modular parts of Window Fruit are generated by pressing and molding clay into the gridded framework of an actual window, an application that echoes the structure of the vessels. The recycled, mosaic pieces and slip casts of fruits are incorporated into the panes of the ceramic windows. The various fruits placed throughout the frames serve a dual purpose. Formally, they add variations of color and form to the overall abstract nature of the window shape. Symbolically, they create an atmosphere of domesticity and a surreality of the everyday. A paradox arises from the material and the symbols—the frames create a view as if into another realm, while simultaneously being refused by the dense materiality of the clay. The sculptural wall works operate on another level as well, simulating an interior/exterior environment that gives them a sense of place and houses the figurative totems into a scene.